Hits: 11
MoMa (@themuseumofmodernart)
![The Chemex, featured in James Bond’s breakfast scene in “From Russia With Love,” is the most successful of more than three hundred designs patented by German chemist turned designer Peter Schlumbohm. Schlumbohm adapted scientific principles to the development of domestic objects after immigrating to the US in 1935. His nonmechanical coffee maker was inspired by laboratory glassware. Learn about its chemically correct method of brewing in @momadesignstore’s Good Design Lab, and explore more iconic designs in #ValueofGoodDesign: mo.ma/gooddesign
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[Details: Peter Schlumbohm. “Chemex coffee maker.” 1941. Borosilicate glass, wood, and leather. Gift of Lewis & Conger]](http://scontent-mxp1-1.cdninstagram.com/vp/c4dfbfe8c20bdaf66468b938d95e5ba0/5C7029F4/t51.2885-15/e15/s150x150/52347952_289933508367251_7537910499381214327_n.jpg?_nc_ht=scontent-mxp1-1.cdninstagram.com "The Chemex, featured in James Bond’s breakfast scene in “From Russia With Love,” is the most successful of more than three hundred designs patented by German chemist turned designer Peter Schlumbohm. Schlumbohm adapted scientific principles to the development of domestic objects after immigrating to the US in 1935. His nonmechanical coffee maker was inspired by laboratory glassware. Learn about its chemically correct method of brewing in @momadesignstore’s Good Design Lab, and explore more iconic designs in #ValueofGoodDesign: mo.ma/gooddesign
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[Details: Peter Schlumbohm. “Chemex coffee maker.” 1941. Borosilicate glass, wood, and leather. Gift of Lewis & Conger]")
![“My nominee in the category of Best Scene-Stealing Housekeeper is Guadalupe Acedo, the unlikely star of Ila Bêka and Louise Lemoine’s 'Koolhaas Houselife,' who has little patience for silly highfalutin architecture.” –Paul Galloway, collection specialist in our Department of Architecture and Design
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Liven up your watchlist with our staff’s #MoMApicks: mo.ma/picks
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[🎥: “Koolhaas Houselife.” 2008. France. Directed by Ila Bêka, Louise Lemoine. Gift of Andrea Woodner. © 2019 Bêka & Lemoine]](http://scontent-mxp1-1.cdninstagram.com/vp/22a52270e62f1cdd9748476505766023/5CF0B1DF/t51.2885-15/e15/c81.0.918.918/s150x150/52733588_683182638767816_2072971203442344643_n.jpg?_nc_ht=scontent-mxp1-1.cdninstagram.com "“My nominee in the category of Best Scene-Stealing Housekeeper is Guadalupe Acedo, the unlikely star of Ila Bêka and Louise Lemoine’s 'Koolhaas Houselife,' who has little patience for silly highfalutin architecture.” –Paul Galloway, collection specialist in our Department of Architecture and Design
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Liven up your watchlist with our staff’s #MoMApicks: mo.ma/picks
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[🎥: “Koolhaas Houselife.” 2008. France. Directed by Ila Bêka, Louise Lemoine. Gift of Andrea Woodner. © 2019 Bêka & Lemoine]")
![“...strong artists continue on to develop multi-decade careers long after their emergence on the scene. An initial personal style is a springboard, which the artist may then choose to deepen, vary, or subvert. Careers assume all different shapes and rhythms. But our preference for beginnings leaves these largely unexplored in our collection galleries.” –Ann Temkin (@ann.temkin), Chief Curator of Painting and Sculpture
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#TheLongRunMoMA, our celebration of daring invention sustained by artists long into their careers, has been remixed with new works and galleries devoted to #LeeFriedlander, #IsaGenzken, #GerhardRichter, and more. Read more about how these artworks refute the notion that creativity diminishes with age: mo.ma/tlr (link in bio)
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[Image: #JoanJonas. “Reanimation.” 2010/2012/2013. Multimedia installation. Acquired in part through The Modern Women's Fund. © 2019 Joan Jonas]](http://scontent-mxp1-1.cdninstagram.com/vp/96a9119b98a20ef945e442d8952ecbf7/5CF3EBFE/t51.2885-15/e15/s150x150/51710897_1967384580236795_7941928728844283899_n.jpg?_nc_ht=scontent-mxp1-1.cdninstagram.com "“...strong artists continue on to develop multi-decade careers long after their emergence on the scene. An initial personal style is a springboard, which the artist may then choose to deepen, vary, or subvert. Careers assume all different shapes and rhythms. But our preference for beginnings leaves these largely unexplored in our collection galleries.” –Ann Temkin (@ann.temkin), Chief Curator of Painting and Sculpture
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#TheLongRunMoMA, our celebration of daring invention sustained by artists long into their careers, has been remixed with new works and galleries devoted to #LeeFriedlander, #IsaGenzken, #GerhardRichter, and more. Read more about how these artworks refute the notion that creativity diminishes with age: mo.ma/tlr (link in bio)
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[Image: #JoanJonas. “Reanimation.” 2010/2012/2013. Multimedia installation. Acquired in part through The Modern Women's Fund. © 2019 Joan Jonas]")
![The nominee for Best Editor is...John Carter, “Taking Off” (1971)! 👏 👏 👏
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“‘Taking Off’ is one of the most intricately honed, exhilaratingly edited works in all of cinema. Not only does the editing hold the film’s plot together seamlessly—with an astonishing array of characters, an easy-to-follow story arc, and a unique intimacy—it also blends in footage from an earlier film Forman had jettisoned, featuring auditions by female musical performers (including, among others, a riveting number by Carly Simon and a beautiful ballad by a young Kathy Bates). The editing really shines in these sequences.” –Michael Meade, guest specialist on our Visitor Engagement team
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Liven up your watchlist with our staff’s #MoMApicks: mo.ma/picks
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[🎥: “Taking Off.” 1971. USA. Directed by Milos Forman. Gift of the artist]](http://scontent-mxp1-1.cdninstagram.com/vp/6d40ad5fcd537896adf5146f31e6371d/5CEBF76A/t51.2885-15/e15/c248.0.584.584/s150x150/51296227_353693938565867_1887523093567856542_n.jpg?_nc_ht=scontent-mxp1-1.cdninstagram.com "The nominee for Best Editor is...John Carter, “Taking Off” (1971)! 👏 👏 👏
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“‘Taking Off’ is one of the most intricately honed, exhilaratingly edited works in all of cinema. Not only does the editing hold the film’s plot together seamlessly—with an astonishing array of characters, an easy-to-follow story arc, and a unique intimacy—it also blends in footage from an earlier film Forman had jettisoned, featuring auditions by female musical performers (including, among others, a riveting number by Carly Simon and a beautiful ballad by a young Kathy Bates). The editing really shines in these sequences.” –Michael Meade, guest specialist on our Visitor Engagement team
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Liven up your watchlist with our staff’s #MoMApicks: mo.ma/picks
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[🎥: “Taking Off.” 1971. USA. Directed by Milos Forman. Gift of the artist]")
![Celebrate innovation in #documentary film with our lineup of features and shorts offering unique perspectives from around the globe. Doc Fortnight returns this Thursday, February 21–28. 🎟️ Tickets and showtimes: mo.ma/docfortnight #DocFortnight
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[Credits: “Buddy.” 2018. The Netherlands. Directed by Heddy Honigmann. Courtesy VOF Appel&Honigmann; “Chinese Portrait.” 2018. China. Directed by Wang Xiaoshuai. Courtesy AsianShadows; “Teatro de Guerra (Theatre of War).” 2018. Argentina, Spain. Directed by Lola Arias. Courtesy Pascale Ramonda; “Land Mine.” Israel. 2018. Tirtza Even. Courtesy the filmmaker; “Nakorn-Sawan.” 2018. Thailand, Germany. Directed by Puangsoi Aksornsawang. Courtesy Purin Pictures; “La Extrana Notas sobre el (auto) exilio (The Stranger Notes on [Self] Exile).” 2018. Argentina. Directed by Javier Olivera. Courtesy the filmmaker; Samouni Road. 2018. Italy, France. Directed by Stefano Sevona. Courtesy Doc & Film International; “Take Light.” 2018. Canada. Directed by Shasha Nakhai. Courtesy the filmmaker. “Water Makes Us Wet: An Ecosexual Adventure.” USA. 2017. Annie Sprinkle, Beth Stephens. Courtesy the filmmakers; “Volver a Ver (To See Again).” 2018. Peru. Directed by Judith Velez Aguirre. Courtesy Quechua Films; “Where the Pavement Ends.” 2018. USA. Directed by Jane Gillooly. Courtesy the filmmaker]](http://scontent-mxp1-1.cdninstagram.com/vp/482c3afa1f7b7275147f244c9c654510/5C6FE866/t51.2885-15/e15/s150x150/52508230_249479695932631_8307226539712954755_n.jpg?_nc_ht=scontent-mxp1-1.cdninstagram.com "Celebrate innovation in #documentary film with our lineup of features and shorts offering unique perspectives from around the globe. Doc Fortnight returns this Thursday, February 21–28. 🎟️ Tickets and showtimes: mo.ma/docfortnight #DocFortnight
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[Credits: “Buddy.” 2018. The Netherlands. Directed by Heddy Honigmann. Courtesy VOF Appel&Honigmann; “Chinese Portrait.” 2018. China. Directed by Wang Xiaoshuai. Courtesy AsianShadows; “Teatro de Guerra (Theatre of War).” 2018. Argentina, Spain. Directed by Lola Arias. Courtesy Pascale Ramonda; “Land Mine.” Israel. 2018. Tirtza Even. Courtesy the filmmaker; “Nakorn-Sawan.” 2018. Thailand, Germany. Directed by Puangsoi Aksornsawang. Courtesy Purin Pictures; “La Extrana Notas sobre el (auto) exilio (The Stranger Notes on [Self] Exile).” 2018. Argentina. Directed by Javier Olivera. Courtesy the filmmaker; Samouni Road. 2018. Italy, France. Directed by Stefano Sevona. Courtesy Doc & Film International; “Take Light.” 2018. Canada. Directed by Shasha Nakhai. Courtesy the filmmaker. “Water Makes Us Wet: An Ecosexual Adventure.” USA. 2017. Annie Sprinkle, Beth Stephens. Courtesy the filmmakers; “Volver a Ver (To See Again).” 2018. Peru. Directed by Judith Velez Aguirre. Courtesy Quechua Films; “Where the Pavement Ends.” 2018. USA. Directed by Jane Gillooly. Courtesy the filmmaker]")
![The nominee for Best Villain is…Reverend Harry Powell, “The Night of the Hunter” (1955)! 👏 👏 👏
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“‘The Night of the Hunter’ was a critical and financial failure on its release in 1955; director Charles Laughton never made another film. But it has since been embraced as a masterpiece thanks in large part to Stanley Cortez’s moody black-and-white cinematography and Robert Mitchum’s sleepy-eyed menace as a decidedly unorthodox preacher. While his L-O-V-E and H-A-T-E knuckle tattoos have become iconic, it’s Mitchum’s pure glee in being evil that makes Reverend Harry Powell one of our great screen villains.” -Jason Persse (@jasonpersse), editorial manager on our Creative Team
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Liven up your watchlist with our staff’s #MoMApicks: mo.ma/picks
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[🎥: “The Night of the Hunter.” 1955. USA. Directed by Charles Laughton. Gift of Cinetech in honor of Mary Lea Bandy]](http://scontent-mxp1-1.cdninstagram.com/vp/4a630f17c2e7ea7b1ed9139a12db3d38/5D078444/t51.2885-15/e35/c119.0.842.842/s150x150/51683220_136989100675725_48475218588638479_n.jpg?_nc_ht=scontent-mxp1-1.cdninstagram.com "The nominee for Best Villain is…Reverend Harry Powell, “The Night of the Hunter” (1955)! 👏 👏 👏
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“‘The Night of the Hunter’ was a critical and financial failure on its release in 1955; director Charles Laughton never made another film. But it has since been embraced as a masterpiece thanks in large part to Stanley Cortez’s moody black-and-white cinematography and Robert Mitchum’s sleepy-eyed menace as a decidedly unorthodox preacher. While his L-O-V-E and H-A-T-E knuckle tattoos have become iconic, it’s Mitchum’s pure glee in being evil that makes Reverend Harry Powell one of our great screen villains.” -Jason Persse (@jasonpersse), editorial manager on our Creative Team
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Liven up your watchlist with our staff’s #MoMApicks: mo.ma/picks
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[🎥: “The Night of the Hunter.” 1955. USA. Directed by Charles Laughton. Gift of Cinetech in honor of Mary Lea Bandy]")
![The nominee for Best Depiction of Governmental Dysfunction is…”Duck Soup” (1933)! 👏 👏 👏
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“‘I will not stand for anything that’s crooked or unfair / I’m strictly on the up-and-up, so everyone beware / If any man’s caught taking graft, and I don’t get my share / We stand him up against the wall and pop! goes the weasel,’ sings Rufus T. Firefly (Groucho Marx) in the Marx Brothers’ sidesplitting 1933 classic, directed by Leo McCarey. Firefly is prime minister of the corrupt, bankrupt state of Freedonia. By the end of ‘Duck Soup,’ he leads the country into a nonsensical war against neighboring Sylvania, culminating in a visionary, madcap battle sequence. After the film was released, the mayor of the village of Fredonia, New York, complained about the film tainting the town’s reputation. The Marx Brothers’ response? ‘Our advice is that you change the name of your town. It is hurting our picture.’” –Giampaolo Bianconi (@giampaolobianconi), curatorial assistant in our Department of Media and Performance
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This awards season we’re celebrating the rich film history preserved in #MoMACollection. Liven up your watchlist with our staff’s #MoMApicks: mo.ma/picks
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[🎥: “Duck Soup.” 1933. USA. Directed by Leo McCarey. Acquired from Paramount Pictures]](http://scontent-mxp1-1.cdninstagram.com/vp/3d2d4c54a61e00dc3e5691abb1908675/5D07C899/t51.2885-15/e35/s150x150/51113636_1997686107205564_2834480408872747937_n.jpg?_nc_ht=scontent-mxp1-1.cdninstagram.com "The nominee for Best Depiction of Governmental Dysfunction is…”Duck Soup” (1933)! 👏 👏 👏
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“‘I will not stand for anything that’s crooked or unfair / I’m strictly on the up-and-up, so everyone beware / If any man’s caught taking graft, and I don’t get my share / We stand him up against the wall and pop! goes the weasel,’ sings Rufus T. Firefly (Groucho Marx) in the Marx Brothers’ sidesplitting 1933 classic, directed by Leo McCarey. Firefly is prime minister of the corrupt, bankrupt state of Freedonia. By the end of ‘Duck Soup,’ he leads the country into a nonsensical war against neighboring Sylvania, culminating in a visionary, madcap battle sequence. After the film was released, the mayor of the village of Fredonia, New York, complained about the film tainting the town’s reputation. The Marx Brothers’ response? ‘Our advice is that you change the name of your town. It is hurting our picture.’” –Giampaolo Bianconi (@giampaolobianconi), curatorial assistant in our Department of Media and Performance
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This awards season we’re celebrating the rich film history preserved in #MoMACollection. Liven up your watchlist with our staff’s #MoMApicks: mo.ma/picks
…
[🎥: “Duck Soup.” 1933. USA. Directed by Leo McCarey. Acquired from Paramount Pictures]")
Segui [themuseumofmodernart] The world's museum for modern and contemporary art
20 Febbraio 2019
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- New York – Come andare dall’aeroporto JFK a Manhattan (e non solo)
- Las Vegas, benvenuti nella città del peccato
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- California Zephyr: attraversare gli USA in Treno!
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Il portale italiano sugli Stati Uniti
![Early mornings are always my favorite time to shoot [#sponsored]
Caught some tasty morning light in Zion, on the way out of the park we filled up the car after finding a Shell station on the @Chase Pay app. Earning rewards on everyday purchases is a win-win in my book 📚 #ChasePay #ShellOnTheRoad #ChaseSapphire #SapphireInsider](http://scontent-mxp1-1.cdninstagram.com/vp/9d393ddc046965d7ec1def1cecda2a49/5D038507/t51.2885-15/e35/c0.135.1080.1080/s150x150/50819622_147680492910397_3846192705141644619_n.jpg?_nc_ht=scontent-mxp1-1.cdninstagram.com "Early mornings are always my favorite time to shoot [#sponsored]
Caught some tasty morning light in Zion, on the way out of the park we filled up the car after finding a Shell station on the @Chase Pay app. Earning rewards on everyday purchases is a win-win in my book 📚 #ChasePay #ShellOnTheRoad #ChaseSapphire #SapphireInsider")
